THE HOLLYWOOD REPORTER: OSCAR WATCH, DIRECTOR (CATHERINE)
Oscar Watch: Director. The recession is causing studios to get tough with directors.
Catherine Hardwicke had every reason to celebrate as her latest film, “Twilight,” opened to nearly $70 million in November. The haul exceeded even the most optimistic expectations, and reviewers credited Hardwicke for breathing cinematic life into Stephenie Meyer’s cult novel. But when Summit Entertainment immediately began fast-tracking a sequel, “New Moon,” Hardwicke was conspicuously absent.The director had concerns about the direction of the new franchise and the amount of prep time available. Summit, by some accounts, had reservations about working with the indie-minded Hardwicke again. The studio soon announced it would hire another director, Chris Weitz, to ensure its follow-up film would be ready by November.
An isolated instance of financial dictates undercutting a director’s power? Perhaps. But there is evidence this awards season that the current economic environment is causing studios to take tougher stands when it comes to keeping directors happy.
“It’s the climate that’s different,” says one producer, who declined to be named. “It’s not so much the conversations. Conversations about budgets have always been difficult. But in the last year, (they’ve) been markedly different. There’s even more of a pressure on budgets.”
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I have a three part question for you:
1) Do you think Catherine will be nominated for Best Director? And should she be?
2) Do you think the current economic recession had anything to do with her being replaced by Chris Weitz?
3) Do you think the recession will affect the making of New Moon and cause them to cut corners to save money?

























