TA TALKS BACK: NEW MOON MOVIE TRAILER BREAKDOWN
More thoughts on the New Moon movie trailer……
I’ve already watched the New Moon teaser trailer more times than I can count. I loved it! For me, it achieved Summit’s goal – it made me want to see the movie even more than I already did. Having watched it so many times, I’ve gone back to the book to compare them side-by-side, scene-by-scene.We start with a sweeping view of the coastline, I assume in La Push. The first thing that struck me was the vivid colors. Look at that blue, blue ocean – gorgeous! The second thing I noticed was the contrast to Twilight. In Twilight, the sweeping landscape shots were usually of the forest, the tree-covered mountains, and occasionally the river. The contrast between the two sceneries is significant. During New Moon, Bella spends most of her time with Jacob, often in La Push. Twilight was all about Bella and Edward, with several scenes taking place in the forest (including a few deleted scenes). In the book, the forest always reminded Bella of Edward. The difference in the landscape footage not only shows us that New Moon will this be different from Twilight, but also represents Bella’s two sides – her Edward half, and her Jacob half.
From the coastline, we see Bella and Edward pulling up to Bella’s house in her truck. Again, I love the colors – even in a night scene, you can really see the red of Bella’s truck, the white of her house. And what a great job replicating the house! Cut to Bella and Edward standing in front of her truck. Edward has a sad, troubled look on his face, possibly indicating that this scene occurs after the birthday party at the Cullen house. Bella asks for a kiss for her birthday, and without saying a word, Edward gently places his hand on her cheek and slowly leans in. The trailer cuts to Bella and Edward mid-kiss, and I’m hoping we get to see the full kiss in the movie. It looks like it may be a nomination next year for Best Kiss. The way Bella asks for the kiss, raising her eyebrow, almost looking like she’s holding back tears, has me thinking Bella is already worried and wants to distract Edward for any torture he may be putting himself through.
How does that compare to the book? First of all, this scene takes place in Bella’s bedroom, of course, after Edward sneaks in without Charlie’s knowledge. In this passage, and the few preceding pages, Edward tries to be light-hearted but Bella knows he’s wallowing in sadness. Since the kiss takes place in front of the house in the trailer, I wonder if Edward will be staying over in the movie? Or if he will just go home?
Here’s the excerpt:
“Well, I was thinking, since it’s still my birthday, that I’d like you to kiss me again.”“You’re greedy tonight.”
“Yes, I am—but please, don’t do anything you don’t want to do,” I added, piqued.
He laughed, and then sighed. “Heaven forbid that I should do anything I don’t want to do,” he said in a strangely desperate tone as he put his hand under my chin and pulled my face up to his.
The kiss began much the same as usual—Edward was as careful as ever, and my heart began to overreact like it always did. And then something seemed to change. Suddenly his lips became much more urgent, his free hand twisted into my hair and held my face securely to his. And, though my hands tangled in his hair, too, and though I was clearly beginning to cross his cautious lines, for once he didn’t stop me. His body was cold through the thin quilt, but I crushed myself against him eagerly. – New Moon, pg 51
As the scene fades out on their kiss, Bella says, “I love youâ€. It’s difficult to tell if this is part of the next scene, or from some other part of the movie. Regardless, to me, it looks like a shout-out to all the fans who wondered, “Why didn’t they say ‘I love you’ in Twilight?!†This would be a very good thing, I think, because it could mean that Chris Weitz and crew are taking the fans’ reactions and feedback from Twilight into consideration.
From the kiss scene, the trailer cuts to Bella and Edward standing in front of a large painting. I’m assuming this is Carlisle’s study and Edward is telling Bella about the Volturi – a scene from the book Twilight that was not included in the movie Twilight, even though it has significance in New Moon. Edward says, “You’re my only reason to stay…alive, if that’s what I am.†Without any context before this line, it’s hard to know exactly what Edward is referring to. I’m not even sure if that was one sentence, or two spliced together with editing. Edward could be questioning whether he’s really considered to be living, when he is undead. Or he could be comparing himself to the Volturi or the traditional vampire (ie a monster). Either way, this scene is most likely tying two scenes together – the scene from Twilight when Edward shows Bella the paintings, and the scene from New Moon when Edward and Bella are watching Romeo and Juliet and Edward tells Bella he considered suicide by means of the Volturi. It could even be tying in a third scene – Edward’s belief that he doesn’t have a soul, which becomes a recurring theme in the last three books.
Again, without context, it’s hard to figure out why Bella and Edward were in Carlisle’s study in the first place, and why they were talking about such cheerful topics when they were supposed to be having a party. It is an intimate scene: they are looking into each other’s eyes, her hand is on his chest, and he touches her arm. And yet, Edward has that sad and tortured look again. I wonder if Bella has brought up the “I want to be a vampire/I don’t want to get any older†issue again, which leads into this conversation.
Now Bella, Edward, and a very excited Alice are walking down the stairs to the birthday party. The other Cullens are waiting for them. There are candles and roses everywhere. A white cake with blue, green, and yellow stripes with Bella’s name on top. Esme hugs Bella tightly and says “Happy Birthday, Bella.†Bella comments on the cake and that none of them eat. Jasper is standing the farthest from Bella when Alice hands her the present (possibly Edward’s CD?). Bella cuts her finger opening the gift, and a drop of blood drops onto the carpet. Suddenly Jasper is running toward Bella. Edward pushes Bella into a table of roses and candles, and pushes Jasper across the room, in the opposite direction, sacrificing his piano. The scene fades out on a very upset Edward.
Here’s the (truncated) scene from the book:
Edward started laughing. He helped me out of the car, pulled me up the stairs, and was still laughing as he opened the door for me.They were all waiting in the huge white living room; when I walked through the door, they greeted me with a loud chorus of “Happy birthday, Bella!” while I blushed and looked down. Alice, I assumed, had covered every flat surface with pink candles and dozens of crystal bowls filled with hundreds of roses.
There was a table with a white cloth draped over it next to Edward’s grand piano, holding a pink birthday cake, more roses, a stack of glass plates, and a small pile of silver-wrapped presents.
It was a hundred times worse than I’d imagined.
Edward, sensing my distress, wrapped an encouraging arm around my waist and kissed the top of my head.
Edward’s parents, Carlisle and Esme—impossibly youthful and lovely as ever—were the closest to the door. Esme hugged me carefully, her soft, caramel-colored hair brushing against my cheek as she kissed my forehead, and then Carlisle put his arm around my shoulders.
“Sorry about this, Bella,” he stage-whispered. “We couldn’t rein Alice in.”
Rosalie and Emmett stood behind them. Rosalie didn’t smile, but at least she didn’t glare. Emmett’s face was stretched into a huge grin. It had been months since I’d seen them; I’d forgotten how gloriously beautiful Rosalie was—it almost hurt to look at her. And had Emmett always been so… big.
Alice let go of Jasper’s hand and skipped forward, all her teeth sparkling in the bright light. Jasper smiled, too, but kept his distance. He leaned, long and blond, against the post at the foot of the stairs. During the days we’d had to spend cooped up together in Phoenix, I’d thought he’d gotten over his aversion to me. But he’d gone back to exactly how he’d acted before—avoiding me as much as possible—the moment he was free from that temporary obligation to protect me. I knew it wasn’t personal, just a precaution, and I tried not to be overly sensitive about it. Jasper had more trouble sticking to the Cullens’ diet than the rest of them; the scent of human blood was much harder for him to resist than the others—he hadn’t been trying as long.’
I took the little package, rolling my eyes at Edward while I stuck my finger under the edge of the paper and jerked it under the tape.
“Shoot,” I muttered when the paper sliced my finger; I pulled it out to examine the damage. A single drop of blood oozed from the tiny cut.
It all happened very quickly then.
“No!” Edward roared.
He threw himself at me, flinging me back across the table. It fell, as I did, scattering the cake and the presents, the flowers and the plates. I landed in the mess of shattered crystal.
Jasper slammed into Edward, and the sound was like the crash of boulders in a rock slide.
There was another noise, a grisly snarling that seemed to be coming from deep in Jasper’s chest. Jasper tried to shove past Edward, snapping his teeth just inches from Edward’s face.
Emmett grabbed Jasper from behind in the next second, locking him into his massive steel grip, but Jasper struggled on, his wild, empty eyes focused only on me.
Beyond the shock, there was also pain. I’d tumbled down to the floor by the piano, with my arms thrown out instinctively to catch my fall, into the jagged shards of glass. Only now did I feel the searing, stinging pain that ran from my wrist to the crease inside my elbow.
Dazed and disoriented, I looked up from the bright red blood pulsing out of my arm—into the fevered eyes of the six suddenly ravenous vampires. – New Moon, pg 25-29
Some details are the same, some are changed. With the editing of the trailer, it’s difficult to tell how much of the birthday party scene is in the movie. Right off the bat, there is a difference: in the book Edward and Bella come in from driving from Bella’s house. Edward is laughing and in a good mood. In the trailer, they are walking downstairs and Edward is looking sad and troubled. Esme hugs Bella just like in the book. The present that Bella cuts herself on in the book is Edward’s CD. The size and shape of the present in the trailer suggests it could be the same one. The biggest difference is what happens when Bella cuts herself. In the book, Edward pushes Bella but only blocks Jasper, and Emmett holds Jasper from reaching Bella. Edward pushing Jasper across the room – destroying his own piano – is much more dramatic. Although blood is dripping down Bella’s arm in the trailer, I get the impression the cut itself is not as bad in the trailer as it was in the book. The rest of the Cullens don’t seem to be reacting to the blood, either.
How about the scenery? The living room in the book is described as white. Check. Pink candles everywhere? Candles, check. Pink, no. Hundreds of roses? Check. (Well, lots of flowers anyway. They may not be roses, however…) Pink birthday cake, plates, and silver-wrapped gifts on a table next to Edward’s piano? Well, no. There is a cake and there are gifts. I think it looks great anyway. In the book, this is the table that Edward pushes Bella into, but not in the trailer. I’m sure this shot required multiple takes. Can you imagine if they had to fix the table and have a new cake each time? Not very practical. The Cullens’ positions were not the same as the book. Since Bella and Edward entered from a different point than the book, this was necessary. However, notice Jasper hangs back just like in the book.
Now that we’ve seen all the Cullens, let’s talk about them. There aren’t many good shots of Emmett but he looks very much the same. Rosalie’s hair is different – more golden and less bleached. As we know, she’s wearing a wig for New Moon. Alice’s hair doesn’t stand out as much, making her look a little older than she did in Twilight. Jasper’s hair is totally different…and just plain weird in my opinion. But we don’t get a good look at it so I’m going to try to stay open minded. Esme’s hair is the same color, but straight and without the soft curls. I loved Esme’s hair in Twilight; I miss the curls. Carlisle’s hair is…fluffier. There’s really no other word to describe it. But somehow, it seems to suit him. Edward’s hair is shorter, but still messy and tousled, and maybe a little darker too, it’s hard to tell. I love it. The makeup looks one hundred times better, although except for when they are standing right next to Bella, it’s hard to tell the Cullens are pale. Edward, especially, looks pale compared to Bella, but not in a bad way. I’ll take this over the caked on makeup of Twilight any day. The Cullens’ clothes look great – more designer-label, more dressed up. But is that because they dressed up for the party or is that their everyday clothing for New Moon? Hard to tell in the small amount of footage we see of them. One detail that was the same – the Cullen Crest. Alice, Emmett, and Rosalie are definitely wearing theirs, so I’m assuming the rest are also.
So there are obvious changes to the Cullens (who, as vampires, shouldn’t change), and of course their house has changed because the filming location changed. I’m not too bothered by this, mostly because I want each movie of the series to be the best that it can be. I don’t want something done badly in one of the later movies simply because it was done for continuity’s sake.
The birthday party scene hasn’t even faded to black before we hear the lines of the next scene. It’s the scene we are all dreading: the break-up scene. (Unless, I suppose, you are Team Jacob. LOL!) Bella and Edward are standing in a forest that looks like it grew right out of the book. Bella says, “What happened with Jasper was nothing.†Edward responds, “Nothing compared to what could have happened. I promise to never put you through anything like this ever again. This is the last time you’ll ever see me.†Edward kisses Bella on the forehead before he leaves. Again due to the editing it’s impossible to know how much more there is to this scene, and whether Edward walks away or runs away like in the book. We also don’t know if Bella tries to follow him, getting lost in the process, or if she falls to the ground right at that spot. I wonder where this will take place. Is this the forest by the school where Bella told Edward she knew what he was? Is this near Charlie’s house, like it happened in the book? Will Sam Uley find her, like the book?
Another interesting note, Edward is wearing the same clothes throughout the trailer. Could it be that the morning after the party Edward takes Bella into the forest to leave her? Did he spend all night pacing, thinking and planning, without bothering to change?
Here is an excerpt from the book. What’s in the trailer is almost word-for-word. Including the kiss before he leaves.
“What happened with Jasper—that was nothing, Edward! Nothing!”“You’re right,” he agreed. “It was exactly what was to be expected.”
“And I’ll make you a promise in return,” he said. “I promise that this will be the last time you’ll see me. I won’t come back. I won’t put you through anything like this again. You can go on with your life without any more interference from me. It will be as if I’d never existed.”
I thought he was reaching for me, too. But his cold hands locked around my wrists and pinned them to my sides. He leaned down, and pressed his lips very lightly to my forehead for the briefest instant. My eyes closed.
Finally, I tripped over something—it was black now, I had no idea what caught my foot—and I stayed down. I rolled onto my side, so that I could breathe, and curled up on the wet bracken.
As I lay there, I had a feeling that more time was passing than I realized. I couldn’t remember how long it had been since nightfall. Was it always so dark here at night? Surely, as a rule, some little bit of moonlight would filter down through the clouds, through the chinks in the canopy of trees, and find the ground.- New Moon, pg 69-74
From Bella laying on the ground in the forest, we hear Laurent’s voice before we see him, face to face with Bella in a dry, brown clearing. I am wondering where this takes place. Bella has her backpack, so perhaps near the school? Or was she hiking? The meadow had much less significance in the movie Twilight than the book, so I would not be surprised if the subplot of Bella and Jacob looking for the meadow was cut out completely. I could also a few scenes merged together: perhaps after school Bella drives to the Cullen house, runs into the surrounding forest and meets Laurent there?
The description of the meadow in the book:
It was the same place, of that I was instantly sure. I’d never seen another clearing so symmetrical. It was as perfectly round as if someone had intentionally created the flawless circle, tearing out the trees but leaving no evidence of that violence in the waving grass. To the east, I could hear the stream bubbling quietly.The place wasn’t nearly so stunning without the sunlight, but it was still very beautiful and serene. It was the wrong season for wildflowers; the ground was thick with tall grass that swayed in the light breeze like – New Moon, pg 234
“How much could you mean to him if he left you here, unprotected? But I can’t help myself…You are so mouthwatering.†Laurent looks wilder: his eyes vivid red, his dreadlocks longer. Bella looks like hell – but she’s supposed to, since she’s depressed. This is one of the key scenes where Bella hears Edward’s voice. I’m sure they won’t leave that out of the movie. There is still a lot of post-production to be done on the movie, adding special effects and what-not. The effect of Edward appearing as a hallucination most likely has not been created yet, so they probably had to edit around that. But the gist of the scene is there: Bella’s life is threatened by Laurent, she is resigned to death, and just as Laurent is about to strike, he stops and is frightened away.
Here’s the excerpt from the book:
[Laurent says,] “So maybe her plan was flawed—apparently it wouldn’t be the revenge she imagined, since you must not mean very much to him if he left you here unprotected.”A mischievous grin rearranged his features. “Well, you’ve caught me at a bad time, Bella. I didn’t come to this place on Victoria’s mission—I was hunting. I’m quite thirsty, and you do smell… simply mouthwatering.”
I tensed for the spring, my eyes squinting as I cringed away, and the sound of Edward’s furious roar echoed distantly in the back of my head. His name burst through all the walls I’d built to contain it. Edward, Edward, Edward. I was going to die. It shouldn’t matter if I thought of him now. Edward, I love you.
Through my narrowed eyes, I watched as Laurent paused in the act of inhaling and whipped his head abruptly to the left. I was afraid to look away from him, to follow his glance, though he hardly needed a distraction or any other trick to overpower me. I was too amazed to feel relief when he started slowly backing away from me.
“I don’t believe it,” he said, his voice so low that I barely heard it.-New Moon, pgs 240-242
At this point, there’s a lot of editing. The first time I watched the trailer, I thought that Jacob came running to save Bella from Laurent, and I was mad that this was the way Bella learned about Jacob. On further inspection, however, there are actually at least three scenes spliced together here.
We get a short glimpse of a shirtless Jacob standing up. From what scene is this? There is no context to determine this. I am certain this shot was included to show off the result of Taylor Lautner’s hard work and to make the fan girls squeal. (Yes that includes this 30-something Team Edward Twi-Mom.) This shot clearly takes place post-transformation, due to the short hair and pumped muscles, and the missing “Jacob smileâ€. My guess…maybe when Bella confronts Jacob after he’s ignored her but before she knows his secret?
The third scene has Jacob jumping off the porch at his house and running, Bella yelling “Jake, run!â€, and Jake phasing as he jumps over Bella. Amazing. Absolutely amazing. The whole scene just gave me goosebumps. I have no idea what scene from the book this might be from. One thought might be when Paul and Jake fight as wolves, but why would Paul threaten Bella? Since Jake came running out of his house, he obviously wasn’t with Bella. Another possibility is that Bella had a run-in with Victoria. But could Jacob scare off Victoria before Victoria got to Bella? Bella could have run into one of the other wolves, before she knew about them, but they would have no reason to attack her, giving Jacob no reason to defend her. It’s also possible that there’s a fourth scene being squeezed in here – that Jacob running out of the house isn’t the same scene as him phasing – but I doubt it. I think whatever this scene is, it wasn’t in the book, or it was drastically changed from the book. And it begs the question: is this how Bella finds out about Jacob? It wouldn’t surprise me that this part of the story was changed. Bella’s foreshadowing nightmare about Jacob transforming into a wolf didn’t happen in the movie Twilight, nor did Jacob use the word “werewolves†in his scary stories (just that they were descended from wolves). In addition, having Jake phase mid-air while jumping over Bella is so much more dramatic and visual – works much better for a movie than the way it happened in the book.
The act of phasing itself? Amazing. Did I say that already? It was so instantaneous and fluid, Jacob was a human and then he was a wolf. If you manage to pause the trailer at just the right moment, you can see the point where the upper body is the wolf and the lower body is human. I loved the shredding of the clothes, it was perfect. I was shocked that we’d get to see a wolf and the phasing already. The CGI effect was perfect; really put the special effects of Twilight to shame.
Here is an excerpt from the book, when Bella sees Jacob transform:
Mid-stride, a long tremor shivered down Jacob’s spine. He leaped forward, diving headfirst into the empty air.With another sharp tearing sound, Jacob exploded, too. He burst out of his skin—shreds of black and white cloth blasted up into the air. It happened so quickly that if I’d blinked, I’d have missed the entire transformation. One second it was Jacob diving into the air, and then it was the gigantic, russet brown wolf—so enormous that I couldn’t make sense of its mass somehow fitting inside Jacob—charging the crouched silver beast.- New Moon, pg 325
As for the wolf, that was the only part I was disappointed with. I hoped the wolves would be bigger, like described in the book. It’s possible the wolves will be that big, and that it’s just hard to tell in this scene because of the perspective, but I doubt it. The wolf just looked normal wolf-sized. I also expected Jake’s wolf form to be a darker, richer red, more like maroon. I didn’t like the white fur on the legs. But the sound effects and the movement of the wolf? Perfect!
Until I started reading passages in the book, I thought the trailer nailed everything nearly perfectly. After reading the passages in the book and comparing them to the trailer, the differences are obvious. But they don’t bother me. Books and movies are two completely different mediums and no book is going to translate directly into a movie. If the movies were an exact replica of Stephenie Meyer’s books, they would be boring movies. Eye candy galore, yes, but boring none-the-less. Can you imagine Twilight without the fight scene in the ballet studio? Don’t get me wrong, there are definitely some things that shouldn’t be changed: key points of the story. Does it really make a difference if the cake is pink or not? Does Edward pushing Jasper change the story? No, but it raises the drama to the next level, which is what you need in a movie.
The teaser trailer definitely left me wanting more. November 20 feels so far away…
Talk Back to us….what do you think?
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